Mission!

First and foremost, to keep it simple, simple, simple. On a production set, there’s very little time for re-entering your “in” and “out” points. With most sliders, if you turn off your slider, you have to re-enter your “in” and “out” points. Not with our slider, it saves your parameters, even if you remove the batteries. As far as re-programming multiple heads for the fifth time, well let’s put it this way. Most humans could’ve made that shot the first or second time. And if your working with actors, don’t waste your time with programming pan and tilt heads. The slightest variation in movement by the actors and all that programming is out the window. Make yourself proud, do it old school, on the fly, hands-on. This way when you show your friends your shot, you can say, that was me, that was my hands, my movement. 

For us, it’s about making equipment that is different, practical, and affordable. To add innovation where others failed, to make that piece that others could not. And, not to make that piece of equipment that does only one thing, to complicate your shot.

And yes, there is nothing new under the sun. With that in mind, there’s nothing old under the sun. It’s all perspective and the willingness to pursuit, to attempt, and ultimately to succeed in the designs of the future…

We are a small company in Riverside California. We import our sliders and add our motors, our control boxes, and our app. The biggest difference when it comes to our sliders is that you can make your adjustments on the fly. As the slider is moving. With your shot on the monitor, you can adjust the length, the speed, and ramping. With other sliders, you have to pause them, go into the settings, adjust, take a look, pause it again, go into the settings, in some cases go through multiple displays, make the adjustment, and so on annnnnnnnd so on.

Any questions or comments, please contact us.